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Mit dem vorliegenden Gedenkband wird der früh verstorbene Klassische Philologe und Herausgeber des Photioslexikons Christos Theodoridis geehrt. Die Sammlung der 34 Aufsätze namhafter Philologen behandelt Themen aus der Klassischen Philologie, mit denen Theodoridis sich beschäftigte: Grammatiker und Lexikographen (Aristarchos, Philoxenos, Chrysippos, Pollux, Kyrill, Hesych, Stephanos von Byzanz, Eustathios, anonyme Lexika), aber auch griechische und lateinische Autoren wie Hesiod, Hipponax, Aischylos, Pindar, Herodot, Isokrates, Aristoteles, Theokrit, Xenophon Ephesios, Galen, Lukian, Alexander von Aphrodisias, Cicero, Sallust, Vergil, Horaz, Manilius. Fünf Aufsätze widmen sich der Byzantinischen Literatur (Michael Choniates, Attaleiates, Geometres, Phialites, Gabras). Eine Liste der wissenschaftlichen Publikationen von Christos Theodoridis ist dem Band beigegeben. This volume presents a comprehensive review of current research on Classical and Byzantine literature. The studies by renowned philologists address the works of poets, historians, philosophers, and rhetoricians. A particular focus is on Greek grammarians and lexicographers.

Lexicographie --- Philologie grecque --- Grammaire --- Littérature grecque --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism --- E-books --- History and criticism.

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Shelley's tragedy, The Cenci, has been regarded as an avant-garde attack on orthodox Christian principles, a celebrated cause for Victorian intellectuals, a vehicle for innovative minds of the theater, a historical oddity, a neglected masterpiece. Derived from the dark legends of one of Rome's great families, the Cenci records a history of sadism, incest, and murder.Shelley's one actable play has received little attention in modern times. Professor Curran studies it first as a poem-its patterns, themes, imagery-then as a play. After showing its relationship to England's Regency theater, he analyzes the fascinating course of its stage history, and finds Shelley foreshadowing such modern emphases as psychodrama, the existential vision, the Theatre of Cruelty.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Literature. --- DRAMA / English, Irish, Scottish, Welsh. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Cenci, Beatrice, --- Shelley, Percy Bysshe, --- In literature. --- Rome (Italy)

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This title considers how the architecture that enables human cognitive processing interacts with cultural and historical contexts. Organised into five parts (Narrative, History, and Imagination; Emotions and Empathy; The New Unconscious; Empirical and Qualitative Studies of Literature; and Cognitive Theory and Literary Experience), the volume considers case studies from a wide range of historical periods and national literary traditions.

Psychology and literature. --- Cognition in literature. --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature and psychology --- Psychology --- Aesthetics --- Psychology and literature --- Psychology.

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literary studies --- comparative studies --- cultural studies --- intermediality --- transdisciplinarity --- visual culture --- Comparative literature --- Literature --- Comparative literature. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature - General --- Literature, Comparative --- History and criticism

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Die Unterscheidung in Haupt- und Nebensache ist ein kulturabhängiges ästhetisches Konstrukt, das immer wieder neu ausgehandelt wird. Dieser Band erschließt die Ästhetik des Beiwerks in der Bild- und Textkultur des Quattrocento über den historischen Begriff Parergon (dt. Beiwerk) folglich auch innerhalb einer Normen- und Rezeptionsgeschichte. Der Topos von der potentiellen Gefährdung des Werkes durch übermäßiges Beiwerk prägt seit der Antike westliche kunsttheoretische, theologische und nicht zuletzt auch wissenschaftliche Diskurse. In eingehenden Analysen verfolgt dieser Band das Phänomen aus der Perspektive von Künstlern des ausgehenden 15. Jahrhunderts, die das scheinbar Nebensächliche als konstitutiv anerkennen und dergestalt produktiv einsetzen. Maler wie Francesco del Cossa, Carlo Crivelli oder Vittore Carpaccio schöpfen aus dem prekären Verhältnis von Ergon und Parergon, indem sie dieses visuell reflektieren und dabei gerade im sakralen Tafelbild das Beiwerk als Ort elaborierter ästhetischer Auseinandersetzungen entdecken.

Literature --- Comparative literature --- Plots (Drama, novel, etc.) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Themes, motives. --- 15. Jahrhundert --- Beiwerk --- Vittore Carpaccio --- Parerga --- Ornament --- Carlo Crivelli --- Detail --- Ergon --- Francesco del Cossa --- Hauptsache --- Heiligenattribut --- Materialimitation --- Nebensache